Seamless menu10/10/2023 Linen, clothing, and used materials are bunched together, covered with plastic, tarps, burlap or canvas, then meticulously fastened with rope-like cord in order to create the sculptures. As objects that witness and endure limitations of physical borders, the parcels appear to the artist as containers of stories and ideas. Theīondage Baggage sculptures were originally developed in reference to the luggage seen on conveyor belts at the international airport in Kathmandu, where the artist spent her childhood. Through abstraction, Lee’s work fluctuates between states of being settled and states of change.Īll works presented in this exhibition stem from a material process that is at once tactile and painterly. The works included in the exhibition speak to the potentiality of healing and transformation that could take place despite or rather, through mobility and rootlessness. These works expand on Lee’s Bondage Baggage series (2018-ongoing), born out of the artist’s longstanding concerns surrounding the physical, psychological, and emotional experiences of a diasporic migratory life. For her first exhibition with the gallery, Lee debuts a series of paintings, sculptures, and video, all developed over the course of the past year. Tina Kim Gallery is pleased to present The skin of the earth is seamless, a solo exhibition of works by Busan born, Colorado-based artist Maia Ruth Lee (b.
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